In a long-overdue victory for common sense and freedom of expression, the U.S. Court of Appeals has ruled that the estate of Sir Arthur Conan Doyle must pay the legal fees incurred by author Leslie Klinger in successfully challenging the estate’s spurious claim of copyright protection for all of Doyle’s Sherlock Holmes stories and any subsequent stories by any author using the Holmes and Watson characters and other personae from the stories.
The court rebuked the Doyle heirs as extortionists and praised Klinger for performing a public service by bringing them into court. The BBC reports:
A US appeal court ruled the copyright had expired, and said the estate had been “disreputable” in levying fees. . . .
The US Court of Appeal described the Conan Doyle Estate Ltd’s efforts to charge licence fees to for which there is “no legal basis” as “a disreputable business practice”. . . .
“In effect he (Klinger) was a private attorney general, combating a disreputable business practice – a form of extortion – and he is seeking by the present motion not to obtain a reward but merely to avoid a loss.
“He has performed a public service – and with substantial risk to himself, for had he lost he would have been out of pocket,” it continued.
“For exposing the estate’s unlawful business strategy, Klinger deserves a reward but asks only to break even.”
The BBC story summarizes the case as follows:
In June, the seventh US circuit court of appeals in Chicago said that the character of Sherlock, along with 46 stories and four novels in which he has appeared, was in the public domain.
However, 10 further stories, published between 1923 and 1927, are still protected by US copyright, which expires in December 2022.
Sir Arthur’s estate had argued this copyright protection meant that anyone creating original stories based on Sherlock should pay for the privilege.
After paying the Doyle heirs for the right to publish a volume of new Holmes stories in 2011, Klinger refused to pay the estate for the rights to publish a second volume. He sued the Doyle estate, arguing that the characters were in the public domain. He won in both the appeals court and the Supreme Court.
The BBC reports that the Doyle heirs claimed the decision “reduces the incentive for authors to create great literature by cutting short the value of copyrights protecting two of the world’s great characters.” That’s a ludicrous argument in the case at hand, given that copyright periods were much shorter in the 1880s, when Doyle started publishing the Holmes stories. And it is still ludicrous today, given that any author would be a fool to refrain from publishing a book that could turn out to be an instant bestseller, simply because his or her heirs might no longer be able to demand fees from imitators nearly 130 years later. That’s obvious nonsense. Copyright laws around the world have become absurdly expansive, and this incident shows just how outrageous this form of restraint of trade and culture has become.
Not only should copyright terms be rolled back, but Fair Use should be restored.
For instance, in 1940, a New York federal district court ruled that it was Fair Use for authors to freely excerpt song lyrics in fiction (Broadway Music Corp. v. F-R Publishing Crop, 31 F.Supp. 817 (D.C.N.Y. 1940, now SDNY)). Excerpting a few lines of lyrics is a way for authors to comment on pop culture.
But despite the favorable ruling, today it is industry practice to pay a license fee for even one line of poetry or song lyric. One NY editor insisted to me (online): “Copying poetry or lyrics is NEVER Fair Use.”
This editor, though highly experienced, is ignorant of the case law. She knows only the industry practice of paying license fees, lest she be sued by a deep pocket record company, publisher, or estate.
Unfortunately, this case never reached the Supreme Court, or even the Circuit Court. Yet it’s the most recent court case on the issue of Fair Use in quoting song lyrics. Rather than fight an expensive court battle, authors pay the extortion fee to record companies (and publishers) to quote poetry lines or song lyrics.
Thomas–I agree fully. The decline of respect for fair use is emblematic of how powerful media-business entities have captured the government and perverted copyright far from its original purpose.
This is good, in my opinion. Copyright is a good thing, but it’s metastasized.