Courtney Cox in 'Cougar Town'
 
 
 
 
 
 
 
 
ABC’s new sitcom Cougar Town alludes to the tragic side of the Sexual Revolution, but it tries hard not to offend the progressive elite. Those are contradictory aims, S. T. Karnick writes.

As part of its revamped Wednesday night lineup featuring racy situation comedies, ABC has grabbed popular actress Courtney Cox for Cougar Town. Despite the smirking (though already overused) premise and fashionably risque subject matter, the show is occasionally more critical of the Sexual Revolution than one might expect. And Courtney Cox is quite good as the lead character.

Cox, 45, plays Jules Cobb, a recently divorced woman in her forties who is desperate for male companionship but losing her looks, as is of course inevitable with the passage of time. The central comic premise is the horrible indignities that her situation forces her into.

Jules’s lack of confidence about going out to meet men–while feeling a strong desire to do so anyway–is both comic and seems quite true to life. Adding to her confusion–and making her more attractive as a character–she never was into the singles scene when she was younger, and hence doesn’t know how to be appropriately selfish, vulgar, and insincere. Her big character flaw is that she too often says what she thinks without censoring herself, which likewise leads to comical effects.

Jules’s feckless ex-husband and anxiety-prone high-school student son add to her worries. In addition, countless situations and events remind her that she’s no longer what most men are looking for and hence make her feel old and unwanted. That, of course, has been one of the biggest consequences of the Sexual Revolution, which gives greater power to those who invest little meaning in sexual encounters.

That rather tragic element makes Jules a sympathetic character, and Cox does an excellent job of conveying it. And even a successful sexual encounter for her in the pilot episode is undercut by humor as she’s interrupted by both her son and her ex-husband. Later she feels guilty over the encounter itself, saying, "One time. I did it one time, and I’m already one of them"–meaning the pathetic, sex-hungry older women she sees on her daily rounds.

Cougar Town strikes me as a good deal funnier and more enjoyable than fellow newcomer sitcom Modern Family, which precedes it in the Wednesday night lineup and likewise tries to explore contemporary sexual notions, because Cougar Town is truer to life and Jules is understandable and likable with all her flaws. She wants to do right while still having irresponsible fun, which is certainly a common contemporary point of view.

Unfortunately, the show’s producers seem to want to do the same, giving lip service to morality and reality while ultimately conveying a fantasy of sexual freedom without any seriously bad consequences–at least in the pilot episode. It’s rather obvious, for example, that Jules’s affair with a younger man–which is presented at the end of the episode a quite a delight for her–would, in real life, almost certainly end in heartbreak on her part when he moved on.

That indicates the limitations of the show’s willingness to embrace reality, and it’s likely to cause viewers to lose interest over time, as such phoniness is death to audience identification with the characters. In addition, the effort to titillate audiences with bare skin, sexual situations, and innuendo after double entendre makes it all too clear that the people behind the show don’t have any real argument with the premises of the Sexual Revolution.

They’re true conservatives in that regard, wanting to preserve the present social mores.

If the producers resist the temptation to try to have it both ways, Cougar Town could be both edifying and a ratings success.

But I wouldn’t bet on it.

–S. T. Karnick